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Julien Tiersot (5 July 1857, in Bourg-en-Bresse (Rhône-Alpes) – 10 August 1936, in Paris), was a French musicologist, composer and a pioneer in ethnomusicology.〔 * Spencer to Hood: A Changing View of Non-European Music * Klaus Wachsmann * Proceedings of the Royal Anthropological Institute of Great Britain and Ireland, No. 1973 (1973), pp. 5-13 * Published by: Royal Anthropological Institute of Great Britain and Ireland * Stable URL: http://www.jstor.org/stable/3031717 〕 == Biography == Tiersot was first keenly interested in popular French music, on which he published in 1889 his ''Histoire de la chanson populaire en France'' "History of the Popular Song in France." He attempted to trace the history of the genre, linking it to the educated, classical foundations, an approach which was greeted dimly by his contemporaries.〔 * The Blind Men and the Elephant: Scholars on Popular Music * Robert B. Cantrick * Ethnomusicology, Vol. 9, No. 2 (May, 1965), pp. 100-114 * Published by: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org/stable/850315 〕〔Poétique sonore de la République : le modèle Julien Tiersot = The sound poetry of the Republic : the model of Julien Tiersot Auteur(s) / Author(s) CHEYRONNAUD J. Résumé / Abstract Julien Tiersot (1857-1936) définit ce que serait une « Lyrique républicaine ». On suggèrera que la réflexion de l'auteur des « Fêtes et des chants de la Révolution française » ne saurait être séparée ou isolée des réflexions, au début du siècle, sur la définition d'une musique sacrée catholique (1903). L'auteur cherchait à doter des institutions de la République, telle l'école, d'une hymnodie à la manière des églises Revue / Journal Title Ethnologie française ISSN 0046-2616 Source / Source 1995, vol. 25, no4, pp. 581-590 (12 ref.) Langue / Language Français Editeur / Publisher Presses universitaires de France, Paris, FRANCE (1971) (Revue) 〕 The same year, during the 1889 Paris Exposition, he discovered the Javanese gamelan through the dances he observed, and shortly thereafter published ''Promenades musicales à l'exposition, Les danses javanaises'' (Musical tours at the Exhibition: The Javanese Danses). He thus became aware of the value of non-European music and musicians, which were also, as he expressed it, "manifestations of human nature." He discovered that these traditions could also extend to "classical" genres, just as developed as that in the West, and distinguished from a popular musical tradition. He thus grew interested in the music of Japan, China, Java, India, Central Asia, the Arab region, and Armenia as well as Amerindian and African-American musical culture. As such, he was an early pioneer of what would later become ethnomusicology, and which he termed "Musical Ethnography" in his notes of 1905-1910.〔SOURCE:Title 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Julien Tiersot」の詳細全文を読む スポンサード リンク
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